Showing posts with label BRITISH DESIGN. Show all posts
Showing posts with label BRITISH DESIGN. Show all posts

Sunday, 29 April 2012

Sunday, 18 March 2012

WEEKLY DIGEST

James Dyson (in Mini, above), David Bailey, Zandra Rhodes, Richard Rogers, Barbara Hulanicki and Ron Arad on their favourite British design objects (Observer)




-
Photo by Richard Saker for The Observer

Thursday, 1 December 2011

JAMES CROPPER SPECIALITY PAPER : PULP-PAPER BOOK



Recently, I received a beautifully packaged book from Mark Cropper, chairman of James Cropper Speciality Paper.

The book is entitled Pulp-Paper and was launched in the summer of 2010. The book is the result of a question: "Can we see how your paper is made?" It is a joint project between James Cropper Speciality Paper, GF Smith, Generation Press and design studio KentLyons.

Over 128 pages, the authors explain how James Cropper makes some of the papers contained in the book. There are also ruminations on the joy of paper from a range of design folk, including Patrick Burgoyne of Creative Review and Nat Hunter of Airside.


-
Further reading:

James Cropper in Monocle Issue 42, April 2011 (links to PDF which includes breakdown of paper making process)

James Cropper Plc - the development of a modern paper manufacturer by Duncan Hutt in The North West Mills Group Newsletter 45 (1995)

Wednesday, 8 June 2011

THE OLYMPIC TORCH : DESIGNED BY BARBER OSGERBY, MADE IN THE UK


The Olympic torch, designed by Barber Osgerby, engineered by Essex based Tecosim and made by Coventry's Premier Group.

Image from Dezeen

Tuesday, 22 February 2011

KENNETH GRANGE IN MONOCLE MAGAZINE

There is a great interview with Kenneth Grange in the latest issue of Monocle. Here are a couple of choice quotes:

'When you have companies buying the best equipment and tools to make things as good as they can be made then you get the finest partners for designers to work with. When these things don't exist, when cost and quantity become more important than quality, as has happened in Britain, then designers look elsewhere for partners and the industry falls to pieces.'

'One of the biggest rewards as a designer is knowing how to make something. If I were Chancellor I would give big tax incentives to small firms providing a fantastic service or making something beautifully. In 10 years this would create a platform of makers again.'

We could not agree more.

The Design Museum in Bermondsey, SE1, will hold a retrospective of Grange's work this summer.

Image from Monocle

Wednesday, 29 September 2010

ERCOL - MARGARET HOWELL REISSUES


'It is the combination of quality and craftsmanship and a straightforward, yet elegant approach to the design that attracts me to this particular period of Ercol furniture and has led me to re-evaluate Ercolani's original designs' (Margaret Howell, 2004)

Wednesday, 3 February 2010

MADE IN BIRMINGHAM: THE EXHIBITION OF LOCAL MANUFACTURES AND NATURAL HISTORY





In 1886 Birmingham photographer John Collier documented the Exhibition of Local Manufactures and Natural History.

The selection of exhibits was limited 'to the leading manufacturers in their respective branches, or to any firm producing a speciality, with the view of showing the great variety of trades, and the excellence of work produced.'

We were very disappointed to learn that we missed a mini-retrospective of the original exhibition last year. However, the accompanying booklet, created by Brighton-based Studio Makgill, is enough to whet the appetite.

Monday, 18 January 2010

'INSPIRING AND DEPRESSING'

Before leaving work this evening I tore a piece from The Daily Telegraph. I believe it is by Rupert Christiansen but my clipping technique left me with only his forename.

In this sidebar piece Rupert (apologies to Mr Christiansen if it was not his work), talks of 'German industrial excellence' alongside the British manufacturing culture that 'is one of corner cutting and quick profit, which ultimately leaves the landfill sites full of broken down plastic rubbish.'

Rupert ends by stating that 'the best travel clock, the best food mixer, the best iron, with the clearest dials and crispest switches are German every time.' One would like to point him in the direction of similarly crisp and clear designs from the likes of British manufacturers Anglepoise and Dualit.

However, I do admit to having a large soft spot for the work of Dieter Rams and therefore am permitted to include the picture above.

Thursday, 19 November 2009

PINCH DESIGN STUDIO

YVES DESK
JOYCE CABINET
IMO STOOL
CLEMENT COFFEE TABLE

Tuesday, 20 October 2009

DESIGN IN BRITAIN



Published by Conran Octopus Ltd. RRP £45.00p

Thank you to Wallpaper Magazine (once again - a fine source of information.)